Lyne, Michael

  • “Millbrook Jolly” Watercolour & Gouache on paper, 12 x 18 inches, Signed in ink | Provenance: Frost & Reed, London; Sportman's Edge LTD, New York; Property from a Private Collection | Inscription on the back by the artist: Millbrook Jolly was a prize winning American Foxhound and a very good worker. Bred by Senator F.H. Bontecou, MFH.
  • “The Quorn Looking Towards Ellas Gorse” Watercolour & Gouache on paper, 10 x 13 inches, 15.5 x 18.5 inches, Signed in ink lower right | Provenance: Frost & Reed, London; Sportsman's Edge Ltd, New York; Property from a Private Collection
  • “Ex-Libris” Original print, 18 x 24.5 inches, 25.5 x 31.5 inches, Signed in pencil lower right with blind embossed stamp of the artist’s studio, Pristine Hogarth Frame | Published by Frost & Reed Ltd, London

British, (1912-1989)

Michael Lyne was born in Upton Bishop, near Ross-on-Wye, and educated at Rossall School in Lancashire. From his earliest years he developed a deep love and understanding of hunting and field sports and was fortunate to be able to combine this passion with his natural ability to draw and paint. In 1932 he enrolled at Cheltenham College of Art and held his first public exhibition in that town in 1934. He quickly gathered commissions to paint local hunting scenes and by 1937 held his first exhibition in London. Apart from the war years he was to hold regular sell-out exhibitions in London, at first with Ackermanns and later with Frost and Reed.

A passionate huntsman, Lyne had his own pack of beagles, the United Cotswolds, which he started with a first beagle given to him by Captain ‘Ronnie’ Wallace, then Master of the Eton Beagles and life-long friend. Lyne also rode with the Devon and Somerset Staghounds and after he settled near Fairford, hunted regularly with the VWH. He painted many of the great hunts in the country including the Beaufort, Heythrop and Warwickshire. In 1949 Frederick Warburg saw Lyne’s work and invited him to the USA to paint several of the leading East Coast of America foxhound packs. He returned regularly to execute many commissions including a series of 10 paintings for Paul Mellon. In addition to his trips to America he also painted packs in Ireland and France.

It was natural that Lyne should also enjoy steeple-chasing and point-to-point racing; both of which inspired some of his best known works. From 1961 he made regular trips to Aintree to watch the Grand National, and from these visits came a series of dramatic and powerful paintings that included such great horses as Highland Wedding, Rondetto. Jay Trump and Foinavon. His sporting interests also encompassed regular stalking trips to Scotland as well as coursing; he bred his own working salukis and was a steward of the National Coursing Club.

A prolific book illustrator, Lyne was also a regular contributor of illustrations and articles to Country Life and The Field. Between 1964 and 1979 Frost and Reed published many limited edition prints of his paintings.

Michael Lyne was one of the leading British sporting artists of the 20th Century and his work stands along side that of Alfred Munnings and especially Lionel Edwards, whose influence can be seen in his paintings.


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