News
Mary Bridgman Opera Paintings | Brooke USA Benefit
Mary Bridgman’s Opera Paintings on sale to benefit Brooke USA and the Donkey Hide Crisis.
Mary Bridgman Opera Paintings Benefit for Brooke USA (PDF)
View Mary Bridgman’s Artist Page
Rare Trophy Collection ~ Polo House ~ Palm Beach Polo & Country Club Trophies
View Rare Trophy Collection ~ Courtesy of Chisholm Gallery, LLC
Polo House ~ Palm Beach Polo & Country Club Trophies
George III Presentation Trophy by Henry Chawncer, c. 1790
George IV Presentation Cup by Rebecca Emes & Edward Barnard, c. 1824
Sidelines 1988 | Jeanne Chisholm and the Chisholm Gallery
Jeanne Chisholm and the Chisholm Gallery mentioned in a 1988 issue of Sidelines.
Click to view larger
Luxury Dossier | TCM’s Classic Movie Blog
TCM’s Classic Movie Blog. takes a look at polo in Hollywood. It’s an extensive article, well worth a look for anyone curious about ‘movie star polo’ and its significance during the golden age of Hollywood. Strangely, the question of ‘movie star polo’ has been brought up in several conversations recently and we wonder if there are any up and coming actors who are interested in the sport. If so, I’m sure the West Coast polo peeps will be happy to get you started.
Thank you to Jeanne Chisholm of https://www.chisholmgallery.com for the heads up on this.
Vicky Moon and Jeanne Chisholm at Lecture and Book Signing
Vicky Moon and Jeanne Chisholm at Lecture and Book Signing
Photography by Annie Watt
Altima Palm Beach | Chisholm Gallery | A Treasure Trove for True Collectors
Chisholm Gallery featured on Altima, Palm Beach
Elite Equestrian Feature | Genevieve Snyder
Elite Equestrian Magazine featuring the portraiture and sporting art of Genevieve Snyder
Bridget Bate Tichenor | A Former Vogue Editor’s Surrealist Paintings Come With a Gripping Backstory
A Former Vogue Editor’s Surrealist Paintings Come With a Gripping Backstory
by LAIRD BORRELLI-PERSSON
APRIL 25, 2019
“In the News Today: Mrs. Hugh J. Chisholm, junior, in a coat of red and black broadcloth, red silk jersey dress. From Nicole de Paris.”
Photographed by Horst P. Horst, Vogue, November 15, 1939
“These evenings, ladies like ‘something on the head.’ Mrs. Hugh Chilsholm wears a mobile Christmas headdress of stiffened discs of veiling, jewelled loops, and—twinkling everywhere—gilded paillettes tipping stripped ostrich. The earrings: spays of diamonds, by Van Cleef and Arpels.”
Photographed by Constantine Joffé, Vogue, December 15, 1943
“Mrs. Hugh J. Chisholm, junior, chooses cotton for an informal evening. Red-and-white striped dress; Hattie Carnegie Original.”
Photographed by John Rawlings, Vogue, April 1, 1944
“Mrs. Hugh J. Chisholm, junior, wearing Adrian’s brilliant all-white alternative to the all-black dinner-dress. Its sleeves long, close. Its bodice wrapped. Its over-skirt caught up by a narrow shoulder strap of material as though it were holding up a train.”
Photographed by Cecil Beaton, Vogue, December 1, 1944
“A matter of ‘monochromatic’ furs, first of a series of atonal furs in this issue. Large figure: natural Asiatic marten, half cape, half stole, with flung Ascot. From Esther Dorothy. Jewels from Olga Tritt. Small figure: a closely wrapped winged tunic of white Indian Broadtail from Reine. Backgrounds of reaching perspective, ordered space, are architectural engravings from the ‘Iconographic Encyclopædia,’ American edition, 1851.”
Photographed by John Rawlings, Vogue, August 1, 1945
“Cardigan Commotion: Mrs. Jonathan Tichenor wears her red velveteen cardigan with an heirloom white satin skirt. (Background interest: her bed cover of spotted calfskin.)”
Photographed by Constantin Joffé, Vogue, December 1, 1948
“Cardigan Commotion: Mrs. Jonathan Tichenor wears her red velveteen cardigan with a slim black dinner skirt. (Background interest: her schoolmaster’s desk, a rare Venetian piece.)”
Photographed by Constantin Joffé, Vogue, December 1, 1948
“Vogue’s Eye View of Diablerie . . . the light side of magic; the quote excessive spiritedness unquote referred to by Mr. Webster in his Dictionary.”Pictured: Bridget Bate Tichenor and Jean Patchett.
Photographed by Irving Penn, Vogue, October 15, 1949
“Mrs. Exeter says: ‘I used to think that camel’s hair was for college girls and commuters. Not anymore. Here, for example, is my idea of a really Good and Handsome country suit. I’d wear it with a red cashmere.’ Coat and suit by Originalia in Stroock camel’s hair. Gold-plated jewellry by Monet. Sweater by Pringle of Scotland.”
Photographed by John Rawlings, Vogue, October 1, 1950
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