Malone, Booth

  • "Polo Player at Gallop" Oil on linen, 25 x 20 inches, Signed
  • "Hot Work at Great Meadows" Oil on linen, 24 x 30 inches, Signed
  • "Polo Player, Standing" Oil on linen, 18 x 11 inches, Signed
  • "Jockey: Albarado" Oil on linen, 18 x 11 inches, Signed

American Contemporary

Award winning equestrian artist Booth Malone remembers the parting advice of his old boss at Coca-Cola, then President Donald Keough: “Do one thing; do it the best you can, and market the hell out of it!”

“I took that to heart and concentrated on horses and put my best into each painting. The marketing I’ve left up to word-of-mouth which, in our small world of horses, has been more than enough.”

Booth studied the techniques of portraitist John Singer Sargent and equestrian artist Sir Alfred Munnings. “They’re really twin souls. If Sargent had gone outside more he would have painted like Munnings and vice versa.  They were both known for bravura brushwork but I also noticed they went for nuances and subtle gestures and that appealed to me – good paintings should be more than photographic accuracy.”  He says he also picks up ideas from the great illustrators like N.C. Wyeth, Rockwell and Leyendecker.

Moving to Columbus, GA in the mid 1980′s, “I was lucky early on to fall in with the Midland (GA) Fox Hounds when Ben Hardaway was Master, and through them I was exposed to Olympic level Eventing, and high caliber steeplechasing and polo. My wife, when we first met, worked in bloodstock and her knowledge of racing and its players, on both sides of the Atlantic proved to be a tremendous resource.”

In 1994 he first exhibited in Saratoga and the following year was invited to membership in The American Academy of Equine Art (A.A.E.A.) where he has subsequently served as a painting workshop instructor. He has served as the Academy’s Director of Painting since 2014. He showed regularly at Rolex CCI**** from 1997 to 2010 and made his international debut with the prestigious Frost & Reed Gallery. He has been the official artist for numerous steeplechase meets, as well as The Virginia Gold Cup and the 2006 Breeder’s Cup, and you find his work regularly on the covers of The Chronicle of The Horse and other equestrian magazines and catalogs. He enjoys a close association with The United States Pony Clubs (USPC). He is a member of Oil Painters of America (OPA) and the Portrait Society of Atlanta (Member of Merit).  In 2012 Green Island Country Club chose him to portray 1987 Master’s Champion Larry Mize. His most recent exhibition was held jointly with sculptor Kathleen Friedenberg at the Aiken (SC) Art Center.